Peter Schickele, the American composer known for his serious concert music as well as his comedic alter ego, PDQ Bach, passed away at the age of 88. In an extensive (and extraordinary) obituary published today, The New York Times notes that Schickele composed over 100 symphonic, choral, and chamber works, along with film scores and musical numbers for Broadway. However, he became widely recognized for his parody works under the name PDQ Bach, a fictitious composer who won four Grammy Awards. Despite his serious contributions to classical music, Schickele’s comedic persona overshadowed his other accomplishments.
PDQ Bach’s satirical compositions included works like the “No-No Nonette,” the cantata “Iphigenia in Brooklyn,” and the “Unbegun” Symphony. These pieces humorously punctured the reverence associated with classical music culture, drawing inspiration from the tradition of musical parodists like Victor Borge and Anna Russell. Schickele, who considered himself PDQ Bach’s “discoverer,” embraced the character’s enduring popularity, despite occasional bewilderment from audiences expecting serious music.
Aside from his comedic endeavors, Schickele’s serious compositions were well-regarded, with performances by notable ensembles and artists. He held a prolific career that spanned decades, showcasing his ability to blend various musical influences in both serious and humorous contexts. Schickele’s legacy includes not only his contributions to classical music but also the enduring impact of PDQ Bach’s comedic and satirical creations.
Read on: https://www.nytimes.com/2024/01/17/arts/music/peter-schickele-dead.html
